What's On Celebrations | Exhibitions | Biennale | Mostra Cinema
Mostra Film Festival 2024 | 2023 | 2022 | 2021 | 2020 | 2019 | 2018 | 2017
Mostra Venice 2017 In Competition | Orizzonti | Classici | Out of Competition | Countries |
Venice Cinema Mostra Film Festival
Venezia Classici 2017
The restored films of Venezia Classici 2017
Italian director Giuseppe Piccioni (Not of This World, Light of My Eyes, These Days) will chair the Jury of Cinema History Students which – for the fifth time – will award the VENEZIA CLASSICI AWARD for the BEST RESTORED FILM and the BEST DOCUMENTARY ON CINEMA.The list of the films selected for the Venezia Classici section of the 74th Festival:
VENEZIA CLASSICI 2017
IL DESERTO ROSSO (RED DESERT)
by MICHELANGELO ANTONIONIrestoration: CSC-Cineteca Nazionale and Istituto Luce - Cinecittà with the cooperation of RTI-Mediaset / Italy (1964) / 120’
NOVECENTO (1900)
by BERNARDO BERTOLUCCIrestoration: 20th Century Fox, Paramount Pictures, Istituto Luce - Cinecittà and Cineteca di Bologna, with the cooperation of Alberto Grimaldi and the support of Massimo Sordella
Italy (1976) / 316’
L’OEIL DU MALIN (THE THIRD LOVER)
by CLAUDE CHABROLrestoration: Studiocanal with the support of Centre national du cinéma et de l’image animée France (1962) / 91’
BATCH ‘81
by MIKE DE LEONrestoration: Asian Film Archive / Philippines (1982) / 108’
NON C’È PACE TRA GLI ULIVI (UNDER THE OLIVE TREE)
by GIUSEPPE DE SANTISrestoration: CSC-Cineteca Nazionale with the cooperation of CristaldiFilm by Zeudi Araya and Massimo Cristaldi / Italy (1950) / 107’
LA DONNA SCIMMIA (THE APE WOMAN)
by MARCO FERRERIrestoration: Cineteca di Bologna and TF1 Studio with the cooperation of Surf Film
Italy, France (1964) / 116’
ČERNÝ PETR (BLACK PETER)
by MILOŠ FORMANrestoration: Národní filmový archiv / Czechoslovakia (1963) / 89’
Back to Top of Page
DEUX OU TROIS CHOSES QUE JE SAIS D’ELLE (TWO OR THREE THINGS I KNOW ABOUT HER)
by JEAN-LUC GODARDrestoration: Argos Films with the support of Centre national du cinéma et de l’image animée
France (1967) / 87’
DAÏNAH LA MÉTISSE
by JEAN GRÉMILLONrestoration: Gaumont with the support of Centre national du cinéma et de l’image animée
France (1931) / 55’
LES BALISEURS DU DÉSERT / EL-HAIMOUNE (WANDERERS OF THE DESERT)
by NACER KHEMIRrestoration: Cinémathèque royale de Belgique / Tunisia, France (1984) / 95’
IDI I SMOTRI (COME AND SEE)
by ELEM KLIMOVrestoration: Mosfilm (producer of the restoration, Karen Shakhnazarov) / USSR (1985) / 143’
INTO THE NIGHT
by JOHN LANDISrestoration: Universal Pictures / USA (1985) / 115’
ROSITA (Pre-opening film)
by ERNST LUBITSCHrestoration: MoMA, with the support of Louis B. Mayer Foundation, RT Features, The Film Foundation and Celeste Bartos Preservation Fund / USA (1923) / 95’
CHIKAMATSU MONOGATARI (A STORY FROM CHIKAMATSU)
by KENJI MIZOGUCHIrestoration: Kadokawa Corporation, The Film Foundation with the cooperation of The Japan Foundation / Japan (1954) / 102’
SANSHŌ DAYŪ (SANSHO THE BAILIFF)
by KENJI MIZOGUCHIrestoration: Kadokawa Corporation, The Film Foundation with the cooperation of The Japan Foundation / Japan (1954) / 126’
OCHAZUKE NO AJI (FLAVOR OF GREEN TEA OVER RICE)
by YASUJIRŌ OZUrestoration: Shochiku Co., Ltd. / Japan (1952) / 115’
CLOSE ENCOUNTERS OF THE THIRD KIND
by STEVEN SPIELBERGrestoration: Sony Pictures Entertainment / USA (1977) / 137’
ZÉRO DE CONDUITE (rushes)
by JEAN VIGOrestoration: Gaumont with the support of Centre national du cinéma et de l’image animée
France (1933) / 20’
THE REVOLT OF MAMIE STOVER
by RAOUL WALSHrestoration: 20th Century Fox / USA (1956) / 93’
THE OLD DARK HOUSE
by JAMES WHALErestoration: Cohen Film Collection / Cohen Media Group in cooperation with Universal Pictures / USA (1933) / 72’
Back to Top of Page
The Venezia Classici section will also feature the presentation of a selection of documentaries about cinema and its filmmakers.
VENEZIA CLASSICI DOCUMENTARIES
In CompetitionAÑOS LUZ (LIGHT YEARS)
by MANUEL ABRAMOVICHArgentina, Brazil, Spain / 75’
EVVIVA GIUSEPPE
by STEFANO CONSIGLIOSwitzerland, Italy / 90’
LA LUCIDA FOLLIA DI MARCO FERRERI (DANGEROUS BUT NECESSARY)
by ANSELMA DELL’OLIOItaly, France / 77’
L’ENIGMA DI JEAN ROUCH A TORINO – CRONACA DI UN FILM RATÉ
(THE ENIGMA OF JEAN ROUCH IN TURIN – CHRONICLE OF A FILM ‘RATÉ’)by MARCO DI CASTRI, PAOLO FAVARO, DANIELE PIANCIOLA
Italy, France / 90’
L’UTOPIE DES IMAGES DE LA RÉVOLUTION RUSSE
(THE RUSSIAN REVOLUTION THROUGH ITS FILMS)by EMMANUEL HAMON
France / 88’
THE PRINCE AND THE DYBBUK
by ELWIRA NIEWIERA, PIOTR ROSOŁOWSKIPoland, Germany / 82’
LA VOCE DI FANTOZZI
by MARIO SESTIItaly / 78’
THIS IS THE WAR ROOM!
by BORIS HARS-TSCHACHOTINGermany / 13’
Mostra Venice 2017 In Competition | Orizzonti | Classici | Out of Competition | Countries |
Mostra Film Festival 2024 | 2023 | 2022 | 2021 | 2020 | 2019 | 2018 | 2017
What's On Celebrations | Exhibitions | Biennale | Mostra Cinema
Back to Top of Page