Venice Cinema Mostra Film Festival
Venezia Classici 2023

The restored films of Venezia Classici 2023

Slike Iz Života Udarnika (Life Of A Shock Force Worker)

By Bahrudin Bato Čengić (Yugoslavia, 1972, 78’, Colour / B/W)
Restored by: Slovenska Kinoteka / Filmski Centar Sarajevo / Hrvatski Državi Arhiv – Hrvatska Kinoteka / Ōsterreichisches Filmmuseum With The Support Of The Eu Creative Europe Medie Programme / Ace - Association Des Cinémathèques Européennes / Ministrstvo Za Kulturo Republike Slovenije

Ultimo Mondo Cannibale (Jungle Holocaust) – Midnight Screening

By Ruggero Deodato (Italy, 1977, 90’, Colour)
Restored by: Minerva Pictures

Rebecca Of Sunnybrook Farm

By Allan Dwan (USA, 1938, 81’, B/W)
Restored by: Walt Disney Studios / The Film Foundation

One From The Heart: Reprise

By Francis Ford Coppola (USA, 1982, 95’, Colour)
Restored by: American Zoetrope

The Exorcist

By William Friedkin (USA, 1973, 132’, Colour)
Restored by: Warner Bros.

King and Country

By Joseph Losey (United Kingdom, 1964, 88’, B/W)
Restored by: Studiocanal

Days Of Heaven

By Terrence Malick (USA, 1978, 94’, Colour)
Restored by: Criterion / Paramount

Saaz Dahani (Harmonica)

By Amir Naderi (Iran, 1973, 76’, Colour)
Restored by: Institute For The Intellectual Development Of Children And Young Adults – Kanoon / Roashana Laboratory

Chichi Ariki (There Was A Father)

By Yasujiro Ozu (Japan, 1942, 92’, B/W)
Restored by: Shochiku / National Film Archive Of Japan

Tini Zabutykh Predkiv (Shadows Of Forgotten Ancestors)

By Sergei Parajanov (Ukraine, 1965, 99’, Colour / B/W)
Restored by: Oleksandr Dovzhenko National Film Studio

Profundo Carmesí (Deep Crimson) – Director’s Cut

By Arturo Ripstein (Mexico, Spain, France, 2023, 136’, Colour)
Restored by: Alebrije Producciones / Wanda Films

The Working Girls

By Stephanie Rothman (USA, 1974, 80’, Colour)
Restored by: The Museum Of Modern Art, New York

La Caza (The Hunt)

By Carlos Saura (Spain, 1966, 87’, B/W)
Restored by: Video Mercury Films

La Provinciale (The Wayward Wife)

By Mario Soldati (Italy, 1953, 113’, B/W)
Restored by: Csc - Cineteca Nazionale, In Collaboration With Compass Film

Ohikkoshi (Moving)

By Shinji Sômai (Japan, 1993, 124’, Colour)
Restored by: Yomiuri Telecasting Corporation

Andrei Rublev – Director’s Cut

By Andrei Tarkovsky (USSR, 1966, 191’, Colour / B/W)
Restored by: Istituto Internazionale Andrei Tarkovsky In Collaboration With Coevolutions And Cloudpost

Les Créatures (The Creatures)

By Agnès Varda (France, 1965, 94’, Colour / B/W)
Restored by: Ciné Tamaris / Cnc With The Support Of She Echoes And Chanel

Bellissima

By Luchino Visconti (Italy, 1951, 114’, B/W)
Restored by: Csc - Cineteca Nazionale, In Collaboration With Compass Film

Bugis Street

By Yonfan (Hong Kong, 1995, 98’, Colour)
Restored by: L’immagine Ritrovata / Far Sun Film

Out Of Competition

Portrait Of Gina

By Orson Welles (USA, 1958, 27’, B/W)
Restored by: Munich Filmmuseum, In Collaboration With Cinecittà

Venice Classics – Documentaries About Cinema

In Competition

Bill Douglas - My Best Friend

By Jack Archer
United Kingdom / 72’

Le Film Pro Nazi D'hitchcock

By Daphné Baiwir
France / 84’

Thank You Very Much

By Alex Braverman
USA

Landrián

By Ernesto Daranas Serrano
Cuba, Spain / 80’

Un'altra Italia Era Possibile, Il Cinema Di Giuseppe De Santis

By Steve Della Casa
Italy / 70’

Michel Gondry Do It Yourself

By François Nemeta
France / 80’

Ken Jacobs - From Orchard Street To The Museum Of Modern Art

By Fred Riedel
USA / ‘98

Dario Argento Panic

By Simone Scafidi
United Kingdom / 98’

Frank Capra: Mr America

Venice Cinema Mostra Film Festival Venezia Classici 2023